Revision Planning with Troy Lambert
One of the sessions of last year’s writers’ summits covered revision planning with Troy Lambert. At Daniel David Wallace’s Revising […]
Posts on the craft of writing
One of the sessions of last year’s writers’ summits covered revision planning with Troy Lambert. At Daniel David Wallace’s Revising […]
Navigating a path from start to finish of a novel can be hard for both plotters and free-writers; enter the
For all the world-building and lore, I realise Fantasy is no different from any other story structure. All genres contain
Explosive beginning, great ending, so why does your novel suffer from Sagging Middle Syndrome? Listen to the audio version on
It’s almost miraculous how a book can unlock the power of imagination. Few things fire the imagination like a story.
If there genuinely are no new stories, only new twists, then what counts as plot clichés to avoid? From Booktuber
Surprise versus suspense: what’s the difference? And why does one make for more engaging writing than the other? Listen to
No dragons, no elves; does that mean I’m ignoring the conventions of the fantasy genre? Not necessarily. The fantasy genre
Dan Wells’ Seven-Point Story Structure came from the author’s 2010 BYU presentation. Taking his cue from the Star Trek Roleplaying
All story structures include turning points and plot points. Whether it has seven, seventeen or twenty-four chapters, somewhere in that