On the Estuary
On the Estuary is from a writer’s group prompt to write a dialogue scene in no more than 200 words. […]
On the Estuary is from a writer’s group prompt to write a dialogue scene in no more than 200 words. […]
Engaging stories come out of the choices characters make. Or as Sue Brown Moore advocates, never stop asking ‘why?’ Listen
What really makes a story is the interplay between internal versus external plot. I upset some folks when I say
I rediscovered the ScriptShark Critique Sheet from 2009. It’s another useful tool by which to evaluate your manuscript. Listen to
Our writers’ group challenge for November was First Five Words: come up with the opening line of a novel in
A revelation about my fantasy series: I’m the author as translator. Put another way, my characters don’t speak English… Listen
For me, the hardest part of writing fiction is fixing the prose that defies editing. In my head, my prose
I’ve found multiple sources of the Story Premise that pitches the novel. Longer than a simple logline, shorter than either
Abigail Perry’s Seven Key First chapter Questions are touchstones. They apply not only to opening chapters, but to every chapter
Writing the last chapter doesn’t mean getting to the end of the plot. Whatever is in the last chapter is