Wants, Needs, Fears and Misbeliefs
Four essentials of character will inform the character’s arc or transformation: wants, needs, fears and misbeliefs. More than the simple […]
Four essentials of character will inform the character’s arc or transformation: wants, needs, fears and misbeliefs. More than the simple […]
Time and again this movie comes up as a ‘classic’ romance, but Pretty Woman hates its protagonist. Twice this week
Mastery of plot structure isn’t about a single thread, more like three plots make one story. So says writer and
According to our favourite writing coach, novels obsess over the past. At his most recent writers’ summit, Daniel David Wallace
Every story needs an antagonist, but can you have villainy without melodrama and tantrums? Listen to the audio version on
On the Estuary is from a writer’s group prompt to write a dialogue scene in no more than 200 words.
Engaging stories come out of the choices characters make. Or as Sue Brown Moore advocates, never stop asking ‘why?’ Listen
What really makes a story is the interplay between internal versus external plot. I upset some folks when I say
I rediscovered the ScriptShark Critique Sheet from 2009. It’s another useful tool by which to evaluate your manuscript. Listen to
Our writers’ group challenge for November was First Five Words: come up with the opening line of a novel in